01 — POSITION
Decide what you are known for
Before anything is filmed we agree on the three things you want to own in your market. Every piece afterwards ladders to one of them. This is the step most agencies skip and every strong account has done.
02 — SOCIAL & CONTENT · RELAY NETWORK · NOMINAL
A feed that does a job.
Social media management in Edmonton — strategy, content creation, filming, posting and community management that turns your social channels from a chore into your most visible sales asset.
PRODUCTIONOne block a month
PLATFORMSCut per channel, not reposted
FOOTAGEYours, all of it
THE HONEST VERSION
Posting is not the same as being known.
WRITTEN AFTER AUDITING A LOT OF FEEDS
The most common social media brief we receive is a number. Twelve posts a month. Three reels a week. It is a comfortable thing to buy because it is easy to check whether you got it.
It is also the reason so many accounts are busy and invisible at the same time. Volume is not the constraint. Nobody has ever failed at social media because they published eleven posts instead of twelve. They failed because none of the eleven were worth stopping for.
What actually compounds is a recognisable point of view, published often enough to be remembered, in formats the platform currently wants to distribute. That is a smaller number of better things — and it is genuinely harder, which is why fewer people sell it.
Here is the truth about social media marketing: a beautiful grid with no strategy is decoration. A content calendar with no filming plan is a wish list. And a social media manager who does not understand your business is just another person posting for the sake of posting. We do not post for the sake of posting.
WHAT WE ACTUALLY DO
Fewer, better, and on purpose.
02 — PRODUCE
Capture in batches
A half or full day of shooting produces a month of material. Short-form video, stills, carousels, cutdowns. Filming once a month costs a fraction of filming twelve times and looks considerably better.
03 — PUBLISH
Show up on a schedule
Written, scheduled, captioned, hashtagged, posted. Platform-native — a vertical video is not a landscape ad turned sideways, and we will not send you one.
04 — ENGAGE
Answer the comments
Community management inside business hours. Replies, DMs, review responses. The unglamorous half where most of the actual revenue quietly happens.
THE CADENCE
A month, planned before it starts.
WEEK 01
Plan
Angles, hooks and the shot list for the whole month, agreed up front.
WEEK 02
Shoot
One production block. A month of material, not a month of scrambling.
WEEK 03
Publish
Scheduled, captioned, cut for each platform rather than reposted across them.
WEEK 04
Read
What earned attention, what did not, and what next month inherits.
ONE PRODUCTION BLOCK · FOUR WEEKS OF OUTPUT · NOTHING POSTED ON A WHIM
WHAT YOU END UP WITH
What you get every month.
—A month of content produced in one shoot day, not scavenged from your camera roll—A posting calendar you approve in advance — no surprises, no last-minute scrambles—Comments and DMs answered by a person who knows your business, within business hours—Reporting on saves, shares and profile-to-site clicks — the metrics that precede money—Every raw file handed over. If we part ways, you keep the whole library
WHAT IT COSTS
Monthly, all in.
These include strategy, production, writing, scheduling and community management. They are not per-post rates, because per-post rates reward volume and volume is not the thing that works.
How we do it for less
Most social media agencies assign a junior community manager, a content creator and a strategist to your account. That is three salaries, three sets of overhead, and one invoice that reflects all of it. We use AI-assisted content planning, scheduling and performance analysis to compress that into a leaner team that produces more content per dollar — without cutting corners on the human parts that matter: strategy, filming, brand voice and real community engagement.
| Package | What’s included | Edmonton industry standard | Our fee |
|---|---|---|---|
| Presence | Two platforms, 8–10 pieces/mo, quarterly shoot day, community management. | $400 – $650/mo | |
| Momentum | Three platforms, 16–20 pieces/mo incl. short-form video, monthly shoot day. | $800 – $1,200/mo | |
| Full Engine | Multi-platform, 30+ pieces/mo, two shoot days, paid amplification and creator partnerships. | $1,350 – $1,900/mo | |
| Content Only | We produce and hand over. You publish. Monthly batch, no community management. | $450 – $800/mo |
Industry standard rates represent Edmonton agencies offering comparable scope with original production. The filming is still real. The strategy is still senior-level. The cost just reflects what happens when you remove the bloat.
Show us the account you have been neglecting.
We will tell you honestly whether it needs more posting or a different idea. Frequently it is the second one, which is cheaper than you would expect and much more effective than another twelve posts nobody stops scrolling for.
Whether you need social media management for a small business or a full content engine for a multi-location brand, the conversation starts the same way.
NOTHING IN SMALL PRINT06 QUESTIONS
The whole deal, said out loud.
?Who owns the footage?
You do. Every frame we shoot for you is yours, handed over, with no archive fee and no licence to renew.
?Is production extra?
No. The monthly rate in the table includes the shoot block, the edit and the publishing. It is one number.
?What if we want to pause?
Pause at the end of any month. The content already made stays yours and keeps working.
?What am I committing to?
Nothing. There are no lock-in contracts and no minimum term. You can stop at the end of any month and take everything with you.
?Who owns the work?
You do, from day one — accounts, source files, footage, domain, hosting and repository, all in your name. Nothing is held hostage if you leave.
?What does the first conversation cost?
Nothing. Twenty minutes, no slides, no deck to sit through. You leave with the first three things we would do whether or not you hire us.
THE REST OF THE STACK